Scott, who was long attached to return to direct a sequel before he died in 2012, drenched his opening sequence in an unreal smoky yellow color, almost as if it were a scene out of "Apocalypse Now." The original "Top Gun" is full of silhouettes and heightened colors to stylize the drama - characters were frequently bathed in purples and reds and neons, and they were soaked in sweat in cockpits or control rooms alike. But directors Joseph Kosinski and Tony Scott have very different ideas about the stylistic details of a movie like this. ![]() For those who haven't seen the original in a while, it may seem as if this is a shot-for-shot recreation of that sequence. The opening credits sequence is a modern updating of the memorable intro to the '86 film, with lovingly fetishistic shots of jets preparing for take-off on an aircraft carrier runway and Harold Faltermeyer's epic instrumental theme song grooving in the background. Speaking of the original, this sequel's general structure isn't the only way it tries to ape the vibe of the first movie. Ultimately, though, you know where this is all heading: If you think Maverick is going to be sitting on the sidelines as a teacher for the whole film, you probably haven't seen a Tom Cruise movie since the original "Top Gun." Watching the pilots try again and again to complete this course is one of the oldest tricks in the storytelling book, building suspense and showcasing just how tough this mission's parameters really are. ![]() "Top Gun: Maverick" writers Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie lay this all out like a heist movie, complete with detailed visual breakdowns of the canyon and a practice course that mimics the exact layout.
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